Archives for category: Anil

A Womans work is never done

The words of Queens song by the same name have been playing in my head for a while now. I did want to break away from the way I was painting earlier. I didnt get to where I thought I wanted to be. Where I am now is more free (sometimes, like today) than before and I’ll be happy here for a while.

The title of this piece is “A woman’s work is never done”.  I’m at my sisters for a months holiday. She has recently had a baby boy. She also has a toddler who also wants quality time with Mummy. I see her on her feet all day and it seems to be almost all night. Everyday. It’s feeding, pumping, changing diapers, playing with the two year old, working and the list goes on. And she has help! This one is for all the women who look after their children, homes and also work. Hats off to them!

12″ X 16″ on a canvas panel.  Based on a Photo ref by Anil Advani.  Used with permission.

Jamal Ahmed pagla

Jamal Ahmed is a successful Bangladeshi artist with 41 solo exhibitions to date. Pagla has been featuring in his work for many years now. With many artists you see a recurring subject, model or colour something they keep coming back to. Do you have one?

The reference for both these pieces have been taken by Anil Advani for his SoFoBoMo project and used with  permission.

Below I’ve tried a close crop of the digital painting made of Pagla. I’m not sure if it is better or worse.

paglaa

Jamal 12″ X 18″ charcoal in my sketchbook.
Pagla digitally made using Art Rage 2.

P1010878.jpg

The teasing, taunting and sometimes worse that women have to endure while on the roads is a reality in quite a few cities in our world today. Many are the excuses that are given as if to say that in the saying it makes it alright. That she was dressed inappropriately, that she walked suggestively, she looked too pretty, she shouldn’t be walking alone , that men are hunters etc. etc. Makes my blood boil.

While, like this woman, you might feel like taking a stand, it would make better sense to ignore and move on. I blame cinema and violence for this increase of harassment in our country. Cinema because most of them show that a girl while initially resisting actually enjoys and falls in love with the youth who chose to accost her. And violence, as in the past, if a situation on the road went a bit out of hand you would have passers-by willing to help you. Now they too fear retaliation and violence from these goons.

The thought that ran through my mind while I was painting this was predators. In reality the lady was turning back to reply to her companions who were right behind her. They were taunting / teasing her too but it was as you would with friends and not strangers.

I have a great selection of references to work with from that one afternoon in Ashulia thanks to Anil‘s photography skills and generosity. And having been there, seen these people, interacted with some of them has made it interesting to capture them with paint. This is the 4th completed painting in the Ashulia series which is being renamed “On the road to Ashulia”.

18″ X 30″ Mixed Media (acrylic + oil) on stretched canvas.

Ashulia Lady

And now my “series” has a name! An afternoon in Ashulia. This makes it all of three pieces in my newly named series. :D

The Ashulia Lady was accompanied by a gentleman and came down the road along with the garment factory workers. The two held themselves a little aloof from the others but stopped by to see what we were up to and to inquire as to why? No, we told them we were not journalists. I don’t know if our reply disappointed all the people who asked us. When Anil asked her permission she looked at her companion and seeing that he was okay with it she gave us the go ahead. In the short time it took Anil to focus his camera, I think she felt all the attention suddenly focussed on her and was overcome with shyness! I hope some of that comes through.

Oil on a 10″ X 12″ canvas board. Photo reference copyright Anil Advani used with permission.

Ashulia man 2

I’ve just finished the second Ashulia portrait and I’m already calling it a series :D

Oil on a 10″ X 12″ canvas board. Photo reference copyright Anil Advani used with permission.

paan khaye...

I first noticed him standing across the road, arms akimbo, watching us take photographs. After a while he came over unasked and posed confidently for Anil. He had this glint in his eyes, a wide open smile showing teeth stained with betel nut juice and a look suggesting we were bananas taking photographs of people passing by. And when I saw the photographs I was thrilled as Anil had captured him beautifully on film.

This piece gets its name from an old hindi song called “Paan Khaye Saiyan Hamaro” since it was on my mind when I was painting. There’s been a long tradition of eating Paans ( betel nuts, anis and other mouth fresheners rolled into a betel nut leaf ) in South Asian culture. There are mentions of paan as early as the 3rd century in the Kamasutra. It is supposed to be a digestive and a mouth freshener but is an acquired taste. Those who indulge swear by it. My husband is a big fan. A few Paan related clicks for those who’re interested in finding out more.

Wikipedia entry on Paan
Muchhad Paan – sells paan online!!
Watch a paan being made.
Hear the Bollywood song “Paan Khaye Saiyan Hamaro

Oil on a 10″ X 12″ canvas board. Photo reference copyright Anil Advani used with permission.

Shy

One more from the exciting references provided by Anil after our road trip to Ashulia. He’s been a gem and has allowed me to use any of them for my art. The paper has been provided by another friend, Kuhu, who is a well known figurative artist and designer, in Bangladesh. This is the largest portrait that I’ve worked on to date.

I’m planning to work on my art resolutions for the year and anticipate longer gaps between posts here. However, posts on my other blog draw the line should go up dramatically :D

Mixed Media (charcoal and acrylics) on 30″ X 36″ toned paper.

Update: August 6, 2007: I couldnt leave it alone :( Wanted to tone down the charcoal in some areas but it came off completely. Tried adding some back but the remaining charcoal sticks didnt match the colour or texture of the original and left dark scratches on the paper. Finally found the charcoal sticks – Pebeo’s Charcoal Sticks superior-extra smooth and it is!! Just not as black as the others. I cant even remember where these were picked up and now only 3 remain in the box of 5. Here’s where I’ve stopped for the moment. Find that I liked the earlier version more as it was spontaneous. Cant go back to it so i’m going to try some more.

ashulia lady

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